
"The youth is the hope of our future"
- Dr. José Rizal
"Touch Me Not" - A Social Cancer
The novel exposes the abuses of Spanish colonial rule and the corruption of the Catholic Church in the Philippines through the story of Crisóstomo Ibarra, a young Filipino who returns from Europe with idealistic plans to reform his country through education. The narrative reveals the complex social dynamics of colonial society, the hypocrisy of religious authorities, and the suffering of the Filipino people under Spanish rule.
Systematic exploitation of Filipinos by Spanish authorities
Examples: Kapitan Tiago's subservience, the guardia civil's brutality
Criticism of friars who abuse their spiritual authority
Examples: Padre Dámaso's corruption, Padre Salví's lust
Rigid class system separating Europeans, mestizos, and indios
Examples: María Clara's privileged position vs. Sisa's poverty
Ibarra's school project as symbol of enlightenment
Examples: The proposed school in San Diego, Rizal's own educational philosophy
Personal relationships tested by social and political pressures
Examples: Ibarra and María Clara's doomed love, Elías's sacrifice
Role: Protagonist
Young, wealthy, idealistic Filipino educated in Europe
Symbolism: Represents the ilustrado class and peaceful reform
Role: Heroine/Love interest
Beautiful, virtuous daughter of Kapitan Tiago
Symbolism: Represents the Philippines itself - pure but subjugated
Secret: Actually Padre Dámaso's illegitimate daughter
Role: Primary antagonist
Corrupt, racist Franciscan friar
Symbolism: Represents worst aspects of Spanish colonial clergy
Role: Revolutionary friend
Mysterious boatman with tragic past
Symbolism: Represents the oppressed masses and violent revolution
Role: Tragic mother figure
Mother driven to madness by loss of her sons
Symbolism: Represents the suffering of the Filipino people
"The Reign of Greed" - The Revolution
Set thirteen years after Noli Me Tangere, the novel follows the return of Crisóstomo Ibarra as Simoun, a wealthy jeweler who has adopted a revolutionary path. Disillusioned with peaceful reform, Simoun plots to incite a revolution by encouraging government corruption and abuse, believing that only through violence can the Philippines achieve freedom. The novel explores the moral complexities of revolution versus reform through interconnected stories of students, farmers, and colonial officials.
Central conflict between violent uprising and peaceful change
Examples: Simoun's revolutionary plotting vs. Basilio's moderate approach, student activism vs. armed rebellion
Systemic corruption in colonial government and society
Examples: Bribery in government positions, ecclesiastical abuse of power, Chinese merchant exploitation
Quest for justice often becomes personal vendetta
Examples: Simoun's personal revenge against those who wronged him, Cabesang Tales' transformation from victim to bandit
Student movements and the power of education to awaken consciousness
Examples: Spanish language academy proposal, student protests, Isagani's romantic nationalism
Personal relationships tested by political commitments
Examples: Isagani's love for Paulita vs. his principles, Julí's sacrifice to save her grandfather
Various forms of resistance against Spanish rule
Examples: Passive resistance by farmers, student activism, armed rebellion, intellectual opposition
Role: Protagonist/Antihero
Wealthy jeweler plotting revolution, former idealistic reformer
Symbolism: Represents the disillusionment of the ilustrado class and the turn to violent revolution
Secret: Actually Crisóstomo Ibarra in disguise, seeks revenge on those who destroyed his life
Role: Medical student, voice of moderation
Orphaned child from Noli, now a medical student avoiding politics
Symbolism: Represents the younger generation choosing education over revolution
Role: Student leader and poet
Passionate student activist advocating for Spanish language academy
Symbolism: Represents youthful idealism and romantic nationalism
Role: Farmer turned bandit
Hardworking farmer whose land is stolen by friars, becomes outlaw
Symbolism: Represents the oppressed masses driven to violence by injustice
Role: Love interest, socialite
Beautiful young woman torn between idealism and social ambition
Symbolism: Represents the Filipino elite's choice of comfort over principles
Role: Tragic heroine
Cabesang Tales' daughter who sacrifices herself for family
Symbolism: Represents the innocent victims of colonial oppression
Role: Moral compass, enlightened priest
Isagani's uncle, represents progressive Christianity
Symbolism: Shows possibility of moral authority within the Church
Rizal republished Dr. Antonio de Morga's 1609 historical account with extensive annotations to demonstrate that the Philippines had an advanced civilization before Spanish colonization. Published in Paris in 1890, this work was crucial to the propaganda movement.
"In my 'NOLI ME TANGERE' I commenced to sketch the present conditions obtaining in our country... it is necessary to first lay bare the past, in order the better to judge the present and to survey the road trodden during three centuries." - José Rizal
Rizal corrects Morga's account by emphasizing that Filipinos had well-developed trade relations with China, Borneo, and other Asian countries. He notes their advanced metallurgy, including cannon foundries that produced artillery "as great as those of Malaga."
Highlights the sophisticated political system with rajas and datus, noting that Manila's aristocracy lived in what is now Malate after being displaced by Spanish colonizers. Emphasizes the courteous and well-mannered nature of pre-colonial Filipinos.
Rizal regrets the loss of ancient Filipino minstrels who memorized genealogies and heroic deeds in songs. He notes the women of Malate were "very expert in lace-making, so much so that they were not at all behind the women of Flanders."
Challenges Morga's claim that all provinces welcomed conversion, noting that mountain tribes often resisted and required military escorts for missionaries. Emphasizes that forced conversion contradicted the peaceful nature of true Christian evangelization.
Describes the advanced economic system including sophisticated trade networks, skilled craftsmanship, and agricultural techniques. Rizal emphasizes that Spanish colonization disrupted rather than improved these existing economic structures.
Points out that Filipinos had organized military forces and defensive strategies. Notes that Spanish accounts often exaggerated their own heroism while minimizing Filipino military capabilities and the organized resistance they encountered.
Challenges Spanish prejudices about Filipino food, customs, and behavior. Uses the example of fish preferences to show how cultural misunderstanding led to unfair characterizations, arguing that "each is nauseated with what he is unaccustomed to."
Defends Filipino women against Spanish slanders, arguing that the Philippines "has no reason to blush in comparing its womankind with the women of the most chaste nation in the world." Attributes any social problems to Spanish colonial influence.
This work provided intellectual ammunition for the propaganda movement by proving that the Philippines had a rich pre-colonial history. It countered Spanish claims that they brought civilization to a primitive land and became a foundation for Filipino nationalism and identity formation.
A comprehensive defense of the Filipino character against Spanish accusations of laziness. Rizal argues that centuries of oppression, not inherent laziness, caused the apparent indolence of Filipinos.
A prophetic essay examining the future of the Philippines under continued Spanish rule, predicting either independence or absorption by another power.
Written on the eve of his execution, this poem expresses his love for the Philippines and his willingness to die for his country's freedom.
Farewell, my adored Land, region of the sun caressed,
Pearl of the Orient seas, our Eden lost,
With gladness I give you my Life, sad and repressed;
And were it more brilliant, more fresh and at its best,
I would still give it to you for your welfare at most.
Written when Rizal was only 18, this poem won first prize in a literary contest and encouraged Filipino youth to be the hope of the nation.
Hold high the brow serene,
O youth, where now you stand;
Let the bright sheen
Of your grace be seen,
Hope of my fatherland!