
"The youth is the hope of our future"
- Dr. José Rizal
Named after St. Joseph (José), St. Protasius (Protasio), a Roman martyr
Born at 1:30 AM during a full moon, considered auspicious in Filipino culture
A two-story stone house on Calle Real (now Rizal Street)
The feast day of St. Protasius, after whom he was named
Mother's life was in danger; both survived through careful medical attention
Baptized by Father Rufino Collantes, with Father Pedro Casañas as sponsor
Eldest sister, married Manuel Hidalgo. Lived 63 years.
Only brother, José's mentor and supporter. Lived 79 years, surviving José by 34 years.
Close to José, married Antonio López. Lived 87 years.
Married Silvestre Ubaldo. Died young at 32 years old.
Married Mariano Herbosa. Lived 62 years.
Married Daniel Faustino Cruz. Lived 86 years, one of the longest-lived siblings.
7th child, the national hero. Executed at 35 years old.
Died as a child at 3 years old, deeply mourned by José.
Remained unmarried, lived 80 years.
José's confidante, remained unmarried. Lived 83 years, the longest-lived sibling.
Youngest sister, married Pantaleon Quintero. Lived 59 years.
Growing up in the countryside of Calamba exposed young José to the beauty of nature. He developed a deep appreciation for the environment, which later influenced his scientific interests and love for natural history. The family owned rice fields and other agricultural lands, providing economic stability.
The death of his younger sister Concepción (Concha) when José was four years old deeply affected him. This early encounter with death and loss shaped his understanding of mortality and the fragility of life.
This traumatic experience developed his empathy and philosophical understanding of life's fragility
Later influenced his compassionate portrayal of suffering in his novels
His mother told him the fable of a moth that was attracted to a flame and was eventually burned. This story became a prophetic metaphor for his own life - his attraction to knowledge and truth, despite the dangers it might bring.
Became a central metaphor for his life's mission and eventual martyrdom
Referenced in his later writings as symbolism for Filipino struggle for enlightenment
Allegedly wrote his first poem 'To My Fellow Youth' expressing love for one's native language. Modern scholars debate its authenticity.
Whether authentic or not, represents early nationalist sentiment attributed to him
Authenticity questioned by historians Ambeth Ocampo and others due to advanced language and concepts
Challenged a larger classmate who had been bullying him, demonstrating early courage and sense of justice.
Early indication of his willingness to stand up against injustice despite personal risk
Showed leadership qualities and moral courage from young age
Began sketching and sculpting, creating images of saints and family members using clay and wood.
Developed artistic skills that would complement his literary talents
His artistic abilities enhanced his observational skills as a writer and scientist
Deeply religious childhood, serving as altar boy while beginning to question certain church practices.
Foundation for his later critique of religious abuses while maintaining personal faith
Early development of critical thinking applied to religious authority